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Censorship, clientelism and bureaucracy

Production cultures in Colombian state-owned media system

Bibliographic Data

ID11267809
AuthorsAlejandra Castano-Echeverri (0000-0001-6436-3167, University of Nottingham, corresponding author)
Year2022
Volume44
Issue6
Pages1166-1181
Publication date2022-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMedia Culture & Society (JOURNAL)
Journal identifiersISSN: 0163-4437 • E-ISSN: 1460-3675
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/01634437221077167
OpenAlexW4226397961
LanguageEN
Citations received1
References cited31

Working conditions in the creative industries are a growing academic concern among researchers in the Global South, particularly in Latin America. However, beyond the celebratory narratives that dominate the field, more study is needed to understand the sector’s actual impact on employees’ lives. The working circumstances of state-owned television producers in Colombia are the subject of this article, as public media have long been important actors in the local creative economy. The opinions and experiences of producers are investigated using empirical evidence and survey data collected between 2014 and 2019. It is argued that precarity, an intrinsic descriptor of creative work, takes on a different hue when put into a Latin American setting, where clientelism, censorship and bureaucracy propose new contextualized understandings of creative work in a non-commercial industry and a specific national context

Bureaucracy · Censorship · Clientelism · Context (archaeology · Creative industries · Geography · Latin Americans · Narrative · Political economy · Political science · Politics · Precarity · Public relations · Sociology · State (computer science · Cultural Industries and Urban Development · Law

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Unique citing works1
Citations per year0,5
Citation span2024 - 2024 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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