Local priorities, industry realities
The music quota as cultural exceptionalism
Bibliographic Data
| ID | 11268194 |
|---|---|
| Authors | Shane Homan (0000-0002-2118-676X, Monash University, Melbourne, Australia, corresponding author) |
| Year | 2012 |
| Volume | 34 |
| Issue | 8 |
| Pages | 1040-1051 |
| Publication date | 2012-11-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Media Culture & Society (JOURNAL) |
| Journal identifiers | ISSN: 0163-4437 • E-ISSN: 1460-3675 |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/0163443712455390 |
| OpenAlex | W2041827613 |
| Language | EN |
| References cited | 10 |
This article examines cultural quota debates in the context of local music content provision in Australia and New Zealand. The commercial radio industries in both countries are examined for the different ways in which the local music industries attempt to negotiate changing perceptions of the ‘national’ in the shift from analogue to digital media environments. A call for new configurations of local media as cultural exception is made, given the profound shifts in global cultural trade and digital media spheres, where reliance upon older notions of cultural nationalism is less stable
Context (archaeology · Cultural industry · Cultural nationalism · Digital media · Economics · Economy · Exceptionalism · Media studies · Nationalism · Negotiation · Political economy · Political science · Politics · Social science · Sociology · Cultural Industries and Urban Development · History · Law · Music History and Culture · Radio, Podcasts, and Digital Media
| Highly cited | No |
|---|