Broadcasting in the 1990s
Competition, choice and inequality
Bibliographic Data
| ID | 11268595 |
|---|---|
| Authors | Valerie Antcliff (University of Central Lancashire, Preston, UK,, corresponding author) |
| Year | 2005 |
| Volume | 27 |
| Issue | 6 |
| Pages | 841-859 |
| Publication date | 2005-11-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Media Culture & Society (JOURNAL) |
| Journal identifiers | ISSN: 0163-4437 • E-ISSN: 1460-3675 |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/0163443705057673 |
| OpenAlex | W2079191704 |
| Language | EN |
| Citations received | 12 |
| References cited | 6 |
Restructuring of the UK television industry has resulted in a shift from secure, long-term employment to casualized, project-based working, with the period prior to restructuring typically described as one of structured careers and stable employement. The article draws on documentary evidence to suggest that, for women, it was a period of widespread discrimination and gendered occupational segregation. While legislation and equal opportunity initiatives from the mid-1970s onwards made some progress in remedying the situation, fragmentation and informal working practices were welcomed by many women as an opportunity to gain control over the organization of their working lives. Yet project-based employment has allowed individual producers discretion in the organization of work, and placed the industry at odds with theories of equal opportunities that emphasize the need for centralized policies and administration. The article concludes by drawing on a series of interviews to suggest that many issues addressed by earlier equal opportunity initiatives have re-emerged in the context of short-term contracting
Competition (biology · Context (archaeology · Discretion · Legislation · Odds · Political science · Public relations · Restructuring · Sociology · Work (physics · Cultural Industries and Urban Development · Engineering · Law
Reconsidering the Work of Claire Johnston
Craft labour and creative industries
Who cares for creative and cultural workers? The role of intermediaries in Europe’s creative economy
The Structuration of Racialized Sport Organizing
Time for a change
Equal opportunities policies
Devalued women, valued men
An addictive environment
The systems psychodynamics of gendered hiring
Networks and social capital in the UK television industry
It’s like sunk cost fallacy or something they call it
That's the Experience
| Unique citing works | 12 |
|---|---|
| Citations per year | 0,63 |
| Citation span | 2007 - 2026 (20) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 12 |