Gendered reasons for leaving a career in the UK TV industry
Bibliographic Data
| ID | 11268968 |
|---|---|
| Authors | Neil Percival (0000-0002-7951-4797, Northumbria University, corresponding author) |
| Year | 2020 |
| Volume | 42 |
| Issue | 3 |
| Pages | 414-430 |
| Publication date | 2020-04-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Media Culture & Society (JOURNAL) |
| Journal identifiers | ISSN: 0163-4437 • E-ISSN: 1460-3675 |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/0163443719890533 |
| OpenAlex | W2949420978 |
| Language | EN |
| Citations received | 22 |
| References cited | 29 |
This article concerns gendered sustainability of careers in the UK TV industry. Much academic scrutiny is focused on equality of access and progression, using data secured from those still working in the sector. The research featured here offers a new insight by focusing on career sustainability and exit, reporting on a survey of 80 individuals, both male and female, who left professional careers in the industry to move on to other careers or activities. While quantitative data demonstrate that incompatibility with parenting was the overwhelmingly dominant factor motivating early exit from the sector for women, the qualitative findings also advance discussions of wider structural barriers and gendered inequalities, embedded in working cultures, practices and attitudes. The article explores the wider perception of a lack of care for the sector’s workers, as well as the individual bereavement and identity loss encountered by those who leave
Identity (music · Inequality · Perception · Political science · Public relations · Qualitative property · Qualitative research · Scrutiny · Social science · Sociology · Sustainability · Cultural Industries and Urban Development · Fashion and Cultural Textiles · Gender Diversity and Inequality · Gender Studies · Law · Psychology
Walking a fine line
Acutely Precarious? Detecting Objective Precarity in Journalism
Coping with Precarity
Identifying the Barriers to Change in TV Production
The first two years
The good manager in TV
Devociones opuestas
Women Off-Screen
Where are the working class in the British film industry? Data from the British Film Institute
Exploring Factors Contributing to High Turnover Rate Among Digital Film Technicians
Equity, diversity and inclusivity
I was not like them’. On quitting cultural work
Networks revisited
Enduring inequalities
Backlash, white privilege and anger
Entrepreneurial, precarious or leaving altogether? Work trajectories in the creative industries in the Netherlands
Time for a change
Combining motherhood and work in the creative industries
The wellbeing of ordinary people in factual television production
Living the liquid life
It was Bauhaus without realising we were Bauhaus
Contested and captured
Rethinking Industrial Relations
Creative Labour
Creative Justice
The promised land? Why social inequalities are systemic in the creative industries
Gender Inequality in Screenwriting Work
Contemporary Identities of Creativity and Creative Work
Working in film – Employment in a project based industry
The Politics of Cultural Work
Reflections On Feminism, Immaterial Labour And The Post-Fordist Regime
Nice Work If You Can Get It
Planning to work for free
Guerrilla selfhood
Unspeakable Inequalities
Be creative
Individualization, Gender and Cultural Work
Unpaid work in the UK television and film industries
Men own television’
New media, the new economy and new spaces
Cool, Creative and Egalitarian? Exploring Gender in Project-Based New Media Work in Euro
Clubs to Companies
Some Sociological Determinants of Occupational Communities
Unmanageable Inequalities
Gender and Creative Labour
Getting in, Getting on, Getting out? Women as Career Scramblers in the UK film and Television Industries
Learning to labour unequally
You're only as Good as Your Last Job
In the Social Factory
Toward a Network Sociality
| Unique citing works | 22 |
|---|---|
| Citations per year | 5,5 |
| Citation span | 2022 - 2026 (5) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 22 |