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Collective Care as Affective Justice in Frances E. W. Harper’s Iola Leroy

Bibliographic Data

ID11272097
AuthorsHyunjoo Yu (Independent Scholar ,, corresponding author)
Year2024
Volume49
Issue3
Pages133-153
Publication date2024-12-31
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMELUS Multi-Ethnic Literature of the United States (JOURNAL)
Journal identifiersISSN: 0163-755X • E-ISSN: 1946-3170
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/melus/mlae050
OpenAlexW4403623016
LanguageEN
References cited20

This essay focuses on the body-sentimentality connections in Frances E.W. Harper’s 1892 novel, Iola Leroy; Or, Shadows Uplifted. This essay examines how Iola Leroy foregrounds affective Black bodies as a mutable site of future-oriented pedagogy, which resists not only the liberal sentimental culture’s insistence on seeing Black bodies only as a vessel of anti-Black violence but also the popular scientific imagination that predicted that Black American heredity is irrelevant to imperialist US modernity. This physical-sentimental pedagogy practiced by Iola Leroy’s Black community members nurtures and invests in affective Black bodies as a potential to reconstruct Black life and futures within extended, less private versions of home. In doing so, Harper moves away from liberal individualism at the core of sentimental culture and thinks of alternative modernities based on solidarity and collective care that are outside the eugenicist destiny in which Black life is not imagined. To think of the political significance of this movement, this essay situates Iola Leroy’s imagination of the otherwise-future against US sentimental culture

Art · Art history · Economic Justice · Law and economics · Political science · Psychoanalysis · Sociology · Canadian Identity and History · Law · Posthumanist Ethics and Activism · Psychology

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Citation velocityhistorical
Highly citedNo

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