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Black Radicalism after the Haitian Revolution

Langston Hughes’s Emperor of Haiti

Bibliographic Data

ID11272275
AuthorsSusan Cooke Weeber (University at Buffalo , SUNY ,, corresponding author)
Year2024
Volume49
Issue3
Pages110-132
Publication date2024-12-31
Open AccessYes
TypeARTICLE
VenueMELUS Multi-Ethnic Literature of the United States (JOURNAL)
Journal identifiersISSN: 0163-755X • E-ISSN: 1946-3170
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/melus/mlae046
OpenAlexW4402266101
LanguageEN
References cited12

By most measures of literary and theatrical success, Langston Hughes’s Emperor of Haiti (1936) was a resounding failure. This article reads that failure as evidence of the play’s attempt to dramatize the Haitian Revolution and its aftermath as both historical and futural, radical and tragic—a vision that would account for both revolutionary upheaval and post-revolutionary disillusionment. The structure of the play—its refusal to dramatize the revolution itself or the declaration of independence; its jump in time from pre-revolutionary anticipation to post-revolutionary governance; and the multiple conversations and debates about freedom and slavery—forces the audience to shift its perceptions and remain open to multiple conflicting interpretations and visions at once. This strategy, perhaps only possible through drama, gets close to portraying the “previously unthinkable”: the Haitian Revolution as both rupture and repetition, both tied to its colonial past and gesturing toward an anticolonial future. Through Hughes’s dramatic work, we can see the unique potential for literature to help us sift through the past for glimpses of the future—to look to the revolutionary visions and Black radicalisms of the past with a mixture of optimism and pessimism so that we might mine them for glimpses of this anti-colonial future

Ancient history · Art · Art history · Emperor · Political radicalism · Political science · Politics · Caribbean history, culture, and politics · Cuban History and Society · History · Law · Race, History, and American Society

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    James A Snead•Black American Literature Forum•1981

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    Nicole Waligora-Davis, Nicole A Waligora-Davis•Sanctuary•2011

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    Jeremy Matthew Glick•The Black Radical Tragic•2016

  • The Idea of 1804

    Nick Nesbitt•Yale French Studies•2005

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    Grégory Pierrot•Comparative Literature Studies•2015

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    Heather Hathaway, Nathaniel Mackey•African American Review•1996

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Highly citedNo

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