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Dialogue and the Imagination

Reflections by an Indian Christian Artist

Bibliographic Data

ID11287992
AuthorsJyoti Sahi (1Silvepura India, Email: [email protected], corresponding author)
Year2010
Volume39
Issue1
Pages49-70
Publication date2010-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueExchange (JOURNAL)
Journal identifiersISSN: 0166-2740 • E-ISSN: 1572-543X
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/016627410x12559405201153
OpenAlexW2077821571
LanguageEN
Citations received1

As an Indian Christian artist, I have reflected on Jesus’s dialogue with the Woman at the Well . Here we see the relation of Jesus to cultures beyond the Jewish one. The Biblical text has many layers of meaning. In Indian aesthetics, we learn of the ‘Dhvani’ or ‘implied meaning’ of a text. This implied meaning is discovered by the imagination, and is the basis for a re-interpretation of the text in our modern context of religious diversity, and ecological challenges. Attempts to relate Biblical narratives to images found in other religious traditions such as Hinduism and Buddhism, have sometimes been questioned as being syncretistic. However, a story like that of the woman at the well, has echoes in a similar story to be found in the Buddhist tradition, and in the universal theme of water, and its importance for life

Aesthetics · Art · Buddhism · Context (archaeology · Diversity (politics · Epistemology · Hinduism · Interpretation (philosophy · Linguistics · Literature · Meaning (existential · Narrative · Relation (database · Sociology · Theme (computing · Theology · Anthropology · Biblical Studies and Interpretation · Christian Theology and Mission · History · Philosophy · Religion, Ecology, and Ethics · Religious studies

  • The Open Well as Symbol of the Meeting of Heaven and Earth

    Open Access•Jyoti Sahi•Religions•2022

Unique citing works1
Citations per year0,25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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