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Happily lost in translation

Misunderstandings in film dialogue

Bibliographic Data

ID11293141
AuthorsLouisa Desilla (0000-0002-1154-1801, English Language and Literature , Aristotle University of Thessaloniki Faculty of Philosophy , School of Philosophy (New Building) , Thessaloniki 541 24 , Greece, corresponding author)
Year2019
Volume38
Issue5
Pages601-618
Publication date2019-09-25
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMultilingua (JOURNAL)
Journal identifiersISSN: 0167-8507 • E-ISSN: 1613-3684
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/multi-2018-0123
OpenAlexW2969580922
LanguageEN
Citations received2
References cited7

This article examines the construal, cross-cultural relay and comprehension of misunderstandings by filmmakers, translators and audiences respectively of Bridget Jones’s Diary (2001) and Bridget Jones: The Edge of Reason (2004). It reports on findings of a case-study on implicatures in these two romantic comedies (Desilla 2009/2012/2014). Both genuine and feigned misunderstandings are found in the two films. Inter alia , the analysis will show that misunderstandings can serve comedic and/or narrative functions, the latter pertaining to both characterisation and, more crucially, plot advancement. It is also demonstrated how misunderstandings can permeate only a single layer or both layers of film communication

Comprehension · Construal level theory · Linguistics · Narrative · Plot (graphics · Psychoanalysis · Romance · Language, Discourse, Communication Strategies · Language, Metaphor, and Cognition · Mathematics · Philosophy · Psychology · Social Psychology · Swearing, Euphemism, Multilingualism

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Unique citing works2
Citations per year0.33
Citation span2020 - 2023 (4)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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