Subtitling’s cross-cultural expressivity put to the test
A cross-sectional study of linguistic and cultural representation across Romance and Germanic languages
Bibliographic Data
| ID | 11293179 |
|---|---|
| Authors | Marie-Noëlle Guillot (0000-0002-4382-8006, Politics, Philosophy, Language and Communication Studies , University of East Anglia , Norwich Research Park , Norwich NR4 7TJ , United Kingdom of Great Britain and Northern Ireland, corresponding author) |
| Year | 2019 |
| Volume | 38 |
| Issue | 5 |
| Pages | 505-528 |
| Publication date | 2019-09-25 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Multilingua (JOURNAL) |
| Journal identifiers | ISSN: 0167-8507 • E-ISSN: 1613-3684 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1515/multi-2018-0116 |
| OpenAlex | W2969648374 |
| Language | EN |
| Citations received | 6 |
| References cited | 15 |
This article focuses on linguistic and cultural representation in AVT as a medium of intercultural literacy. It has two objectives: it puts to the test increasingly accepted assumptions about AVT modalities’ distinctive meaning potential and expressive capacity, with a case study of communicative practices in their representation, via AVT, in subtitles across Romance and Germanic languages. The second objective is to make a start on a neglected question to date, by considering, concurrently, the respective potential for representation of different types of languages, Indo-European in the first instance, in different pair configurations. The study applies to (Romance) French, Italian, Spanish and (Germanic) English and German and uses a cross-cultural pragmatics framework to explore representation, per se and comparatively across the languages represented in the main data, Lonnergan’s 2016 feature film Manchester by the Sea. Data is approached qualitatively from a target text end in the first instance and primarily, in a subset of scenes from across the film. Quantitative analysis is used complementarily for diagnostic purposes or as a complementary source of evidence, with initial focus on types of features identified in earlier studies as a locus of stylised representation in subtitling with evidence of distinctive pragmatic indexing (e.g. pronominal address, greetings, thanking). The study is a pilot study and is exploratory at this stage, but part of a broader endeavour to inform debates about, and build up the picture of, AVT as cross-cultural mediation and, ultimately, promote our understanding of films in translation’s societal impact
Applied linguistics · Contrastive linguistics · Cross-cultural · German · Germanic languages · Linguistics · Meaning (existential · Political science · Representation (politics · Romance · Romance languages · Sociology · Anthropology · linguistics and terminology studies · Linguistics, Language Diversity, and Identity · Psychology · Translation Studies and Practices
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Ocean's Eleven stand-alone Scene 12 with subtitles – a gift for teaching, what lessons for research
Japanese subtitling and dubbing of English expressions of ‘love’
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The pragmatics of audiovisual translation
The Translation of Films, 1900-1950
Audiovisual Translation
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Stylisation and representation in subtitles
Cultural Interchangeability
A model of appraisal
This and That in the Language of Film Dubbing
Communicative Rituals and Audiovisual Translation - Representation of Otherness in Film Subtitles
| Unique citing works | 6 |
|---|---|
| Citations per year | 1 |
| Citation span | 2020 - 2026 (7) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 6 |