Kontakte” – Reflexionen naturwissenschaftlich‐technischer Innovationsprozesse in der frühen Elektronischen Musik Karlheinz Stockhausens (1952–1960)
Bibliographic Data
| ID | 11306298 |
|---|---|
| Authors | Marco Böhlandt (Deutsche Gesellschaft für Holzforschung, corresponding author) |
| Year | 2008 |
| Volume | 31 |
| Issue | 3 |
| Pages | 226-248 |
| Publication date | 2008-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Berichte zur Wissenschaftsgeschichte (JOURNAL) |
| Journal identifiers | ISSN: 0170-6233 • E-ISSN: 1522-2365 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1002/bewi.200801308 |
| OpenAlex | W2028791965 |
| Language | DE |
| Citations received | 1 |
| References cited | 4 |
“Kontakte” – Reflections of Innovative Processes in Science and Technology in Karlheinz Stockhausen's Early Electronic Music (1952–1960). The following article will give an overview of the interdependence of aesthetic and scientific/technical developments in German composer Karlheinz Stockhausen's early works of electronic music. It is an outline of the major steps in his artistic evolution between the works “Etude (Musique concrète)” and “Kontakte”, their relation to innovations in psychoacoustic and sound‐studio technology as well as the impact, that the works from that period had on the fundamental changes in musical aesthetics during the course of the 20th century
Art · Art history · Electroacoustic music · Electronic music · German · Humanities · Linguistics · Musical · Studio · Visual arts · Art, Technology, and Culture · Music Technology and Sound Studies · Philosophy
| Unique citing works | 1 |
|---|---|
| Citations per year | 0.06 |
| Citation span | 2008 - 2008 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |