Erschließung neuer Wahrnehmungsebenen durch die Kinematographie
Ästhetik‐Überlegungen zum wissenschaftlichen Film
Bibliographic Data
| ID | 11306535 |
|---|---|
| Authors | Karl Friedrich Reimers (corresponding author) |
| Year | 1980 |
| Volume | 3 |
| Issue | 1-2 |
| Pages | 103-113 |
| Publication date | 1980-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Berichte zur Wissenschaftsgeschichte (JOURNAL) |
| Journal identifiers | ISSN: 0170-6233 • E-ISSN: 1522-2365 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1002/bewi.19800030110 |
| OpenAlex | W1968999089 |
| Language | DE |
| Citations received | 1 |
| References cited | 1 |
By some recent meanings of psychological research in structures of perception cinematographical research and education ist compelled to take the fluctuation between emotions/sensations and cognitions into a more systematic consideration. ‚Born’︁ as well on the market‐place as by experimental research documentations film as a medium can offer essential connecting links for this aspect. Certainly there is to begin with recovering an especially understanding of esthetics: more different relations between various standards of qualitative and quantitative analysis must be rendered possible. This is substantial, first of all, for an experimentally working anthropology, research in cultures/civilizations, and sociological sciences. In these fields of research and education, if using research film, we especially need inter‐disciplinary cooperations for critical investigation and for making didactical use of cinematographic sources
Cognition · Discipline · Epistemology · Perception · Social science · Sociology · Art, Aesthetics, and Perception · Philosophy · Psychology · Sociology and Education Studies
| Citations per year | 0.02 |
|---|---|
| Citation span | 1981 - 1981 (1) |
| Highly cited | No |