Zeichnung und Fotografie - Statusfragen. Universitäres Zeichnen und naturwissenschaftliche Bildfindung
Bibliographic Data
| ID | 11307490 |
|---|---|
| Authors | Elke Schulze (Praxis, corresponding author) |
| Year | 2005 |
| Volume | 28 |
| Issue | 2 |
| Pages | 151-159 |
| Publication date | 2005-06-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Berichte zur Wissenschaftsgeschichte (JOURNAL) |
| Journal identifiers | ISSN: 0170-6233 • E-ISSN: 1522-2365 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1002/bewi.200401084 |
| OpenAlex | W2116993487 |
| Language | DE |
| Citations received | 6 |
In the 19th and early 20th century the history of sciences was characterized by a constant increaseing of scientific illustration connected with a broad discussion about the function and the status of these pictures. In respect of the success of photography this dispute entered into questioning the importance of drawing for the perception and the scientific knowledge. The (mostly forgotten) history of drawing-lessons and of the scientific drawers at German universities reflects the idea of the unique value of drawing for sciences: for visual communication and understanding. The different qualities of photography and drawing have been discussed as well by human as by natural scientists. In this context drawing was considered to be a tool in its own right besides photography. The present text reconstructs this discussion in regard of the drawers und design-teachers at the universities presenting material of several archives
Archaeology · Art · Art history · Context (archaeology · Epistemology · German · History of science · Natural (archaeology · Photography · Sociology · Visual arts · History · History of Science and Natural History · Philosophy · Photography and Visual Culture · Visual Culture and Art Theory
Introduction
Outlining Species
Eine analytische Bildpraxis. Die pathologisch‐anatomischen Zeichnungen Jean Cruveilhiers in ihrem Verhältnis zu klinischen Beobachtungen
On employera les meilleurs Graveurs pour les Figures”. Zeichner und Stecher der Berliner Akademie der Wissenschaften, 1700–1806
Visualisierungen in der deutschen Geographie des 19. Jahrhunderts. Die Beispiele Robert Schlagintweit und Hans Meyer
Die Fotografie - ein neues Bildmedium im Wissenschaftspanorama des 19. Jahrhunderts. Einführung in das Symposium
| Citations per year | 0.29 |
|---|---|
| Citation span | 2005 - 2013 (9) |
| Highly cited | No |