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Autobiography as Gestalt

Nietzsche's Ecce Homo

Bibliographic Data

ID11328282
AuthorsRodolphe Gasché (corresponding author)
Year1981
Volume9
Issue3
Pages271
Publication date1981-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
Venueboundary 2 (JOURNAL)
Journal identifiersISSN: 0190-3659 • E-ISSN: 1527-2141
PublisherJSTOR (PUBLISHER)
DOI10.2307/303123
OpenAlexW2312969977
LanguageEN
Citations received1

Nietzsche's autobiography, his self-presentation in Ecce Homo,1 has until now been subjected to no other treatment than that inflicted by philosophy. In other words, this text has been considered either as literature or as an essentially philosophical writing disguised under the appearances of a literary genre. According to the second of these two genuinely philosophical alternatives, Ecce Homo has to be stripped of all of its esthetic magic, of what belongs to Nietzsche's great style and his art of poetry, in order to reveal the authentic experience of being hidden beneath its delusive exteriority. Martin Heidegger, undoubtedly the first to promote a philosophical reading of Ecce Homo, escapes as little as anybody else this kind of logic. Indeed, the few remarks on Ecce Homo

Art · Biography · Epistemology · Gestalt psychology · Literature · Psychoanalysis · History · Kierkegaardian Philosophy and Influence · Nietzsche, Schopenhauer, and Hegel · Philosophy · Philosophy, Ethics, and Existentialism · Psychology

  • Autobiographical Voices

    Françoise Lionnet, Adele King•World Literature Today•1990

Unique citing works1
Citations per year0,03
Citation span1990 - 1990 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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