Cartoons go global
Provocation, condemnation and the possibility of laughter
Dados Bibliográficos
| ID | 11340593 |
|---|---|
| Autores | Daniel Gamper Sachse (0000-0002-3067-5725, Universitat Autònoma de Barcelona, Bellaterra, Spain, autor correspondente) |
| Ano | 2022 |
| Volume | 48 |
| Fascículo | 4 |
| Páginas | 530-543 |
| Data de publicação | 2022-05-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Philosophy & Social Criticism (JOURNAL) |
| Identificadores do periódico | ISSN: 0191-4537 • E-ISSN: 1461-734X |
| Editora | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/01914537221076879 |
| OpenAlex | W4223522126 |
| Idioma | EN |
| Referências citadas | 13 |
Since their publication, the Muhammad cartoons featured in Jyllands Posten and Charlie Hebdo have become a symbol of free speech and Western values. These cartoons used provocation as a tool to discuss the limits of free speech and the scope of social self-censorship. In a just society, should the possibility of laughter be distributed equally? Should cartoonists and editors only publish jokes that are universally laughable? What is the proper reaction to these kinds of provocative jokes once the possibility of censorship is ruled out in a liberal context? Is counterspeech or even cancellation a legitimate response
Art · Censorship · Context (archaeology · Free speech · Laughter · Linguistics · Literature · Media studies · Political science · Provocation test · Sociology · Symbol (formal · Freedom of Expression and Defamation · Hate Speech and Cyberbullying Detection · History · Law · Philosophy · Rhetoric and Communication Studies
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |