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The return of cultural history? ‘Literary’ historiography from Nietzsche to Hayden White

Bibliographic Data

ID11345259
AuthorsHans-Peter Söder (corresponding author), Hans-Peter Söder1 (a an der Universität München , Richard-Wagner-Straße 27, 80333 München, Germany)
Year2003
Volume29
Issue1
Pages73-84
Publication date2003-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHistory of European Ideas (JOURNAL)
Journal identifiersISSN: 0191-6599 • E-ISSN: 1873-541X
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1016/s0191-6599(02)00086-4
OpenAlexW1993499787
LanguageEN
Citations received2

Often overlooked is the fact that postmodern theory brought to the fore a crisis in the humanities. The implied universalism of the current “iconic turn” in postmodern thinking is a blow to the traditional sciences grouped around national literatures and cultures. In the 1980's, postmodern practitioners in the United States began to assault the discursive practices of the mainstream under the banner of cultural studies. The current crisis in the humanities surfaced in the emancipation of the various studies from their traditional fields in the humanities. The German Studies practiced today in the United States for instance, has no counterpart in Germany's traditional departments of Deutsche Philologie. Whereas the icon in the United States has become an object of investigation for the various studies, it has not yet displaced the littera in Germany's literary sciences. However in the 1990's, the historical sciences in Germany responded to the challenge of the various studies by directing their attention not to cultural studies, but to cultural history, with its well-defined set of methodologies. But what kind of cultural history is it? Is it built on 19th century German foundations, or is it grafted to current North American notions of post-industrial culture? In this paper I show that the supposed opposition between cultural studies and cultural history is artificial. Through a close reading of Hayden White's extremist questioning of historical practice in Metahistory (1973), I demonstrate that there is no opposition between the icon and the littera in this recent radical critique of mainstream humanistic science. The vehement German reaction to his North American assault on European Kultur is based on a misunderstanding of White's premises. Rather than being constructed on a hodgepodge of postmodern approaches, I show that White's postmodern history is in fact conventionally grounded in 19th century Nietzschean thinking

Aesthetics · Art · Art history · Cultural history · Economic history · Emancipation · German · Historiography · Literature · Mainstream · Opposition (politics · Political science · Politics · Postmodernism · Sociology · Cultural History and Identity Formation · Educator Training and Historical Pedagogy · History · Law · Philosophy · Philosophy, History, and Historiography

  • Cultures of communication

    Richard Mcmahon•European Review of History Revue…•2009

  • Hayden White, Traumatic Nationalism, and the Public Role of History1

    Open Access•A Dirk Moses•History and Theory•2005

Unique citing works2
Citations per year0,1
Citation span2005 - 2009 (5)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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