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Martial Arts Cinema in Civil Society of Postcolonial Hong Kong

Kung Fu Hustle and The Grandmaster

Bibliographic Data

ID11416708
AuthorsJing Yang (0009-0004-1715-4513, Institute of Hermeneutics, Center for Foreign Literature and Culture, Guangdong University of Foreign Studies Guangdong, People's Republic of China, corresponding author)
Year2020
Volume34
Issue6
Pages28-40
Publication date2020-11-01
Open AccessNo
TypeARTICLE
VenueCritical Arts (JOURNAL)
Journal identifiersISSN: 0256-0046 • E-ISSN: 1992-6049
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/02560046.2020.1826551
OpenAlexW3119403826
LanguageEN
Citations received3
References cited12

Martial arts cinema has been a vehicle for Hong Kong to communicate itself to the world. Among a plethora of martial arts hits in the new millennium, Stephen Chow’s hilarious Kung Fu Hustle (2004) and Kar-wai Wong’s nostalgic The Grandmaster (2013) stand out for constructing warriors caught in a state of flux. From the motley crew of anonymous martial artists struggling to survive at the edge of the city, to the biographical account of Ip Man and his migration to Hong Kong, both films refashion the classic genre to address to postcolonial realities. Against realignments of geopolitical power and various crises that have ravaged Hong Kong society, the two films evoke cultural memory to cope with new challenges from within and outside the local-national-global context. By situating Kung Fu Hustle and The Grandmaster in the evolution of martial arts cinema, the paper explores the significance of building civil society in negotiation with Chinese convention and global amalgamation

Art · Art history · Ceremony · Context (archaeology · Geopolitics · Martial arts · Media studies · Militarization · Movie theater · Political science · Politics · Sociology · The arts · Visual arts · History · Hong Kong and Taiwan Politics · Law · Philippine History and Culture · Southeast Asian Sociopolitical Studies

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    Open Access•Chin-Pang Lei•Asian journal of social science•2023

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    J Lowe, Darlene Machell De Leon Espena et al.•Asian Studies Review•2023

  • Cultural Studies in Interhemispherical Perspective. China, Africa, Asia and Australasia

    Keyan Tomaselli, Yao Xiao•Critical Arts•2023

  • Once Upon a Time in America

    Adrian Martin•Once Upon a Time in America•1998

  • Beyond the crisis

    Petra Rehling•Inter-Asia Cultural Studies•2015

  • Repairing Civil Society and Experimenting with Power

    Open Access•Diana Coole•Political Studies•2009

  • Habermas and Foucault

    Bent Flyvbjerg•British Journal of Sociology•1998

  • Postcolonial Hong Kong cinema

    L Pang•Postcolonial Studies•2007

  • Power, Civil Society, and an Inchoate Politics of the Daily in Burma/Myanmar

    Open Access•Elliott Prasse-Freeman•The Journal of Asian Studies•2012

  • Postcolonial Hong Kong identity

    A Fung•Social Identities•2004

Citations per year1
Citation span2023 - 2023 (1)
Highly citedNo

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