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Nationalism, Revivalism and Pan-Islamism

Shifts in the Political and Cultural Imaginings of Allama Iqbal’s Poetry

Bibliographic Data

ID11418099
AuthorsRavi Mishra (0000-0002-1443-4833, Nehru Memorial Museum & Library, corresponding author), Ravi K Mishra (Prime Ministers Museum and Library (PMML), New Delhi, India.)
Year2023
Volume39
Issue2
Pages199-238
Publication date2023-08-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueStudies in History (JOURNAL)
Journal identifiersISSN: 0257-6430 • E-ISSN: 0973-080X
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/02576430231208821
OpenAlexW4389102964
LanguageEN
Citations received1

This paper argues that contrary to some popular perceptions, the ideological shift in Iqbal dates not from 1930 (when he apparently moved towards the acceptance of the two-nation theory at the Allahabad Session of the Muslim League) but to his stay in Europe from 1905 to 1908 (after which he made a complete and abrupt shift from Indian nationalism to revivalism and Pan-Islamism). This shift is powerfully expressed in the political and cultural imaginings of both his Urdu and Persian poetry. His poetry becomes suffused with the ideas of revivalism and Pan-Islamism in counter-position to those of composite nationhood and territorial nationalism on which the Indian national movement was premised. The shift is embodied in poetic imagery and metaphor incompatible with the modern idea of nationalism, especially the dominant idea of Indian nationalism. Iqbal’s later thoughts concerning Islam’s relations with non-Muslims in India and elsewhere promote an adversarial historical and cultural narrative of Islam. Though triggered by a passionate rejection of the West and its modernity, the shift manifested not just in a critique of the West but also of all non-Islamic cultures and civilizations. Iqbal’s narrative of Islam is teleological and triumphalist. Far from being defensive about the charges of intolerance and aggression levelled against Islam by its critics, he proudly invokes imagery of the sword and the conquest in the history of Islam, while bemoaning the decline of its political power in the modern era. Iqbal’s quest is for a supposedly pure Islam of the past and its revival in the twentieth century in the form of a redefined, reconstituted and revitalized Umma which cuts across boundaries of nations, continents and ethnicities. Few poets in the history of the modern world have had such influence as Allama Iqbal, and fewer still have made such fundamental shifts

Aesthetics · Art · Cultural nationalism · Ideology · Islam · Literature · Modernity · Nationalism · Poetry · Political science · Politics · Sociology · Gender Studies · History · Islamic Studies and History · Law · Philosophy · Politics and Conflicts in Afghanistan, Pakistan, and Middle East · Religious studies · South Asian Studies and Diaspora

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Unique citing works1
Citations per year1
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo

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