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Le cochon , a washed up mermaid, and soldier’s bread

Three generations of Acadian women at the intersection of museums and fiction

Bibliographic Data

ID11424166
AuthorsNancy Taber (0000-0002-2911-1295, Brock University, corresponding author)
Year2018
Volume37
Issue1
Pages4-20
Publication date2018-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueInternational Journal of Lifelong Education (JOURNAL)
Journal identifiersISSN: 0260-1370 • E-ISSN: 1464-519X
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/02601370.2017.1356881
OpenAlexW2745529373
LanguageEN
References cited20

In this autoethnographic narrative article, I apply a feminist antimilitarist lens to discuss how the critical learning that museums can facilitate can provide a powerful pedagogic lens into the past and present, particularly when connected to self. These sites can illuminate the strength of women as they encounter/ed individual and societal challenges. I explore how the genre of fiction, as an arts-based practice of knowledge creation, can be connected to the work of museums to bring feminist research into the everyday lives of Canadians. I demonstrate how engaging with museums and fiction can encourage critical thought

Aesthetics · Art · Craft · Intersection (aeronautics · Literature · Narrative · Sociology · The arts · Visual arts · Gender Studies · Participatory Visual Research Methods · Qualitative Research Methods and Ethics

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    Nancy Taber•International Journal of Lifelong…•2015

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  • Institutional ethnography, autoethnography, and narrative

    Open Access•Nancy Taber•Qualitative Research•2010

  • One Continent, Three Words, and a Dream

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  • Rude Boy Subculture, Critical Pedagogy, and the Collaborative Construction of an Analytic and Evocative Autoethnography

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  • Analytic Autoethnography

    Open Access•Léon Anderson•Journal of Contemporary Ethnography•2006

Citation velocityhistorical
Highly citedNo

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