Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

An anthropologist among the filmmakers – A cautionary tale

Part 1. The politics of production (Respond to this article at http://www.therai.org.uk/at/debate)

Bibliographic Data

ID11494752
AuthorsPat Caplan (Emeritus Professor of Social Anthropology at Goldsmiths, University of London., corresponding author)
Year2013
Volume29
Issue6
Pages23-26
Publication date2013-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAnthropology Today (JOURNAL)
Journal identifiersISSN: 0268-540X • E-ISSN: 1467-8322
PublisherWiley (PUBLISHER • GB)
DOI10.1111/1467-8322.12074
OpenAlexW4231019600
LanguageEN
Citations received1
References cited8

In recent years film has been viewed as the prime vehicle by which anthropologists may engage with the public in an attractive way. But this is not without its pitfalls. In two parts, this article looks back at the making of an anthropological television series, Face Values, in the 1970s, a joint project of BBC TV and the RAI. Some of the reasons for the considerable differences between the author as one of the anthropological consultants, and the production and editing team, are discussed, as are the reactions of the villagers on Mafia Island, who were concerned for their dignity and privacy while being filmed for the series. Part 1 considers the politics of shooting film footage, and the tensions between anthropological and televisual premises. Part 2 is about the politics of circulation and audience, taking account of the views of Mafians as well as UK audiences (both lay and anthropological). While the former liked the film material they saw, some of them later came to find it problematic. In the UK, although the series attracted high viewing figures, it was the object of considerable criticism from both newspaper critics and anthropologists, and soon fell into obscurity. However, some of the issues and problems raised in this case study remain very real today for those who would bring together anthropology and film

Aesthetics · Art · Art history · Aside · Criticism · Dignity · Face (sociological concept · Fell · Literature · Media studies · Movie theater · Newspaper · Object (grammar · Political science · Politics · Social science · Sociology · History · Italian Fascism and Post-war Society · Law · Southeast Asian Sociopolitical Studies

  • A Diary of Filmmaking with Djenné Masons

    Trevor H J Marchand•Visual Anthropology•2015

  • Writing Culture

    K Fortun, James Clifford et al.•Writing Culture•1986

  • African Voices, African Lives

    Patricia Caplan, Pat Caplan•African voices, African lives•2003

  • Choice and Constraint in a Swahili Community

    James L Brain•African Affairs•1976

  • Closed Systems and Open Minds

    Alasdair Macintyre, Max Gluckman•The Philosophical Quarterly•1967

  • British Ethnographic Film

    Paul Henley•Anthropology Today•1985

  • Boys' circumcision and girls' puberty rites among the Swahili of Mafia Island, Tanzania

    Open Access•Ann Patricia Caplan•Africa•1976

  • Television and anthropology

    Marcus Banks•Visual Anthropology•1994

  • Reflections on ethnographic film with a general bibliography

    Paolo Chiozzi, Denise Dresner•Visual Anthropology•1989

Unique citing works1
Citations per year0.09
Citation span2015 - 2015 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae