Librettist versus Composer
The Property Rights to Arne's Henry and Emma and Don Saverio
Bibliographic Data
| ID | 11498564 |
|---|---|
| Authors | Judith Milhous (The Graduate Center, CUNY), Robert D Hume (The Graduate Center, CUNY) |
| Year | 1997 |
| Volume | 122 |
| Issue | 1 |
| Pages | 52-67 |
| Publication date | 1997-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of the Royal Musical Association (JOURNAL) |
| Journal identifiers | ISSN: 0269-0403 • E-ISSN: 1471-6933 |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1093/jrma/122.1.52 |
| OpenAlex | W1966794204 |
| Language | EN |
| Citations received | 1 |
| References cited | 1 |
Little attention has ever been paid to a pair of mid-career flops by Thomas Augustine Arne. Henry and Emma died in one night in 1749; Don Saverio struggled through three nights amidst hisses in 1750. Roger Fiske points out in a brief discussion that the latter is of some historical significance: it was a pioneering attempt to mount an English form of opera buffa on the London stage. Ten years later, Arne's Thomas and Sally was to succeed in persuading London audiences to accept such conventions, but in 1750 the time was apparently not yet ripe. These obscure failures have not attracted much critical notice, because while librettos of both survive, only the overture to Henry and Emma and one song from Don Saverio are extant
Art · Art history · Extant taxon · Mount · Notice · Opera · Performance art · Political science · History · Law · Philosophy · Theater, Performance, and Music History
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,11 |
| Citation span | 2017 - 2017 (1) |
| Citation velocity | historical |
| Highly cited | No |