John Birchensha and the Early Royal Society
Grand Scales and Scientific Composition
Bibliographic Data
| ID | 11498641 |
|---|---|
| Authors | Laura E Miller (0000-0002-6868-6710, University of California, Santa Cruz, corresponding author), LETA E MILLER |
| Year | 1990 |
| Volume | 115 |
| Issue | 1 |
| Pages | 63-79 |
| Publication date | 1990-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of the Royal Musical Association (JOURNAL) |
| Journal identifiers | ISSN: 0269-0403 • E-ISSN: 1471-6933 |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1093/jrma/115.1.63 |
| OpenAlex | W1976638421 |
| Language | EN |
| Citations received | 1 |
The concept of music as science, still a vital part of the natural philosophy of the seventeenth century, found a strong advocate in the early Royal Society, whose agenda frequently embraced musical topics. From the organization's inception in 1660 to the early eighteenth century the Society's minutes recount acoustical experiments performed at meetings and describe papers on topics ranging from string vibrations to music's medicinal powers
Archaeology · Art · Composition (language) · Environmental ethics · Epistemology · Literature · Musical · Natural (archaeology) · Natural Philosophy · Visual arts · History · History of Science and Medicine · Philosophy
| Citations per year | 0.05 |
|---|---|
| Citation span | 2004 - 2004 (1) |
| Highly cited | No |