Listening, Ancient and Modern

The purpose of this paper is to describe some aspects of the agenda of listening in the Western tradition. Ancient and modern versions of some of the myths of listening (Orpheus, the Sirens) are compared to illustrate what might be at stake in the activity of listening. A basic contrast is drawn between ancient rhetorical ideas of the power of music to affect the listener and the demand of instrumental music, from the late eighteenth century on, that we understand what the music wants of us. The paper continues with a discussion of some ancient ideas about philosophical listening, which precludes talking and is directed both inwards and outwards, and it ends with some suggestions about themes that a history of listening might pursue

Active listening · Aesthetics · Appreciative listening · Art · Instrumental music · Linguistics · Literature · Musical · Mythology · Rhetoric · Rhetorical question · Visual arts · Communication · Diverse Music Education Insights · History · Musicology and Musical Analysis · Neuroscience and Music Perception · Philosophy · Psychology