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The poetry of patronage

Bronzino and the Medici

Bibliographic Data

ID11499705
AuthorsDeborah Parker (0000-0003-2552-8613, University of Virginia, corresponding author)
Year2003
Volume17
Issue2
Pages230-245
Publication date2003-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRenaissance Studies (JOURNAL)
Journal identifiersISSN: 0269-1213 • E-ISSN: 1477-4658
PublisherWiley (PUBLISHER • GB)
DOI10.1111/1477-4658.t01-1-00018
OpenAlexW2033483471
LanguageEN

This study examines Bronzino's lyric poems to the Medici. It focuses on the three canzoni which the painter wrote to gain readmission to the Accademia Fiorentina in 1566 and the laments he wrote on the deaths of Eleonora di Toledo and her two sons, Giovanni and Garzia. Particular attention is paid to an examination of the metaphors of rule employed by Bronzino in these paeons to this patrons. Just like his portraits of Cosimo I de’ Medici and his family, these poems are embellished glorifications. Few rulers exploited the use of art as instruments of statecraft more aggressively than Cosimo. In both his art and poetry, Bronzino served these ends magnificently. (pp. 230–245)

Art · Art history · Literature · Painting · Performance art · Poetry · Portrait · Visual arts · Renaissance and Early Modern Studies

Citation velocityhistorical
Highly citedNo

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