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Plague in the city

Identifying the subject of G iovanni di P aolo's V ienna Miracle of Saint Nicholas of Tolentino

Bibliographic Data

ID11500054
AuthorsLouise Marshall (0000-0001-5581-996X, The University of Sydney, corresponding author)
Year2013
Volume27
Issue5
Pages654-680
Publication date2013-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRenaissance Studies (JOURNAL)
Journal identifiersISSN: 0269-1213 • E-ISSN: 1477-4658
PublisherWiley (PUBLISHER • GB)
DOI10.1111/j.1477-4658.2012.00846.x
OpenAlexW1564034218
LanguageEN

This article aims to resolve scholarly confusion regarding the subject of a panel by S ienese artist G iovanni di P aolo now in V ienna ( A kademie der bildenden K unst). The picture shows a posthumous miracle of the recently canonized Augustinian friar and famous miracle worker N icholas of T olentino (d. 1305, canonized 1446), who is shown hovering in the sky above a city. Despite agreement on the reconstruction of the original altarpiece to which this narrative once belonged, art historians remain divided over the identity of the represented miracle. My study re‐examines the visual data to refute the most common readings of the panel as a resurrection and argues for acceptance of B ernard B erenson's original identification of the scene as N icholas saving a town from plague

Aesthetics · Altarpiece · Ancient history · Art · Art history · Confusion · Identity (music · Literature · Miracle · Narrative · Plague (disease · Psychoanalysis · SAINT · Subject (documents · Theology · Byzantine Studies and History · Computer Science · Historical and Religious Studies of Rome · History · Philosophy · Psychology · Renaissance and Early Modern Studies

Citation velocityhistorical
Highly citedNo

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