Mr. Hulot e a desconstrução da mitologia do automóvel
Uma análise de Trafic, de Jacques Tati
Bibliographic Data
| ID | 11633785 |
|---|---|
| Authors | Vander Casaqui (0000-0001-7823-9861, Escola Superior de Propaganda e Marketing, corresponding author) |
| Year | 2010 |
| Volume | 15 |
| Issue | 1 |
| Pages | 93-93 |
| Publication date | 2010-04-30 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Comunicação & Educação (JOURNAL) |
| Journal identifiers | ISSN: 0104-6829 • E-ISSN: 2316-9125 |
| Publisher | Universidade de Sao Paulo, Agencia USP de Gestao da Informacao Academica (AGUIA) (PUBLISHER) |
| DOI | 10.11606/issn.2316-9125.v15i1p93-102 |
| OpenAlex | W1998338109 |
| Language | PT |
This paper provides a film analysis of Trafic, by Jacques Tati (1971), discussing issues of consumption, the world of workand the intricate relations among people and goods in contemporary context. The theoretical framework is based on thestudies of Roland Barthes and Jean Baudrillard, among other authors that examine symbolic processes involving goods, fromthe productive sphere to sociocultural scenarios that cover their consumption by people
Humanities · Physics · Cultural, Media, and Literary Studies · French Literature and Critical Theory · Philosophy · Psychology and Mental Health
| Citation velocity | historical |
|---|---|
| Highly cited | No |