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Sociology and Music Education

A response to Swanwick

Bibliographic Data

ID11635499
AuthorsGraham Vulliamy (University of York, corresponding author), John Shepherd (0000-0003-1241-4182, Trent University)
Year1984
Volume5
Issue1
Pages57-76
Publication date1984-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueBritish Journal of Sociology of Education (JOURNAL)
Journal identifiersISSN: 0142-5692 • E-ISSN: 1465-3346
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/0142569840050105
OpenAlexW1989711929
LanguageEN
Citations received6
References cited22

This paper is a response to Professor Swanwick's critique of our sociological perspective on music education. A detailed presentation of the sociology of music thesis demonstrates that accusations of ‘social determinism’ and ‘referentialism’ are both misconceived. Moreover, Swanwick's position leads to difficulties in his approach to music aesthetics, where at times he makes assumptions concerning the work of theorists such as Meyer and Keil which these authors have themselves explicitly repudiated. We then relate certain observations which Swanwick makes concerning the processes of schooling to wider sociological theories of schooling that help make sense of the kinds of constraints Swanwick correctly identifies. Finally, we accept Swanwick's challenge to be more explicit concerning both our response to his charge of relativism and our practical recommendations for the reform of music teaching

Determinism · Epistemology · Perspective (graphical · Presentation (obstetrics · Social science · Sociological imagination · Sociology · Diverse Music Education Insights · Mathematics · Media, Communication, and Education · Neuroscience and Music Perception · Philosophy

  • Everyday I Write the Book

    Open Access•Gilbert B Rodman•Journal of Popular Music Studies•2006

  • Musical Meaning and Social Reproduction

    Lucy Green•Educational Philosophy and Theory•2005

  • Music consumption and cultural self-identities

    Open Access•John Shepherd•Media Culture & Society•1986

  • Sociology and Music Education

    Graham Vulliamy, John Shepherd•British Journal of Sociology of…•1985

  • A Further Note on Sociology of Music Education

    Keith Swanwick•British Journal of Sociology of…•1984

  • The Struggle for Culture

    John Shepherd, Graham Vulliamy•British Journal of Sociology of…•1994

  • The sociology of rock

    Simon Frith•The sociology of rock•1978

  • How musical is man?

    John Blacking•How musical is man?•1974

  • Explaining Music

    Leonard B Meyer•Explaining Music•1973

  • Conflict in patterns of socialization

    Open Access•John Shepherd•Canadian Review of Sociology/Revue…•1983

  • Problems of a Sociological Approach to Pop Music in Schools

    Keith Swanwick•British Journal of Sociology of…•1984

  • A Comparative Sociology of School Knowledge

    John Shepherd, Graham Vulliamy•British Journal of Sociology of…•1983

  • Pop Music in School

    Peter Hesbacher, Graham Vulliamy et al.•Contemporary Sociology A Journal…•1977

  • Whose Music? A Sociology of Musical Languages

    Arnold Bentley, John Shepherd et al.•British Journal of Educational…•1978

  • Sociology, Equality and Education

    Paul Halmos, Paul R Halmos et al.•British Journal of Educational…•1977

  • The Sociology of Youth Culture and Youth Subcultures

    Open Access•Barry A Turner, Barry Turner•Popular Music•1981

  • A theoretical model for the sociomusicological analysis of popular musics

    Open Access•John Shepherd•Popular Music•1982

  • The New Grove Dictionary of Music and Musicians

    Open Access•Graham Vulliamy, Norman A Josephs et al.•Popular Music•1982

  • Towards a Sociology of Musical Styles

    Open Access•John Shepherd•The Sociological Review•1986

Unique citing works6
Citations per year0,14
Citation span1984 - 2006 (23)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 6
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