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Tragedy in Athens

Performance Space and Theatrical Meaning (review)

Bibliographic Data

ID11646249
AuthorsKaren Bassi (corresponding author)
Year2001
Volume53
Issue2
Pages347-348
Publication date2001-05-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTheatre Journal (JOURNAL)
Journal identifiersISSN: 0192-2882 • E-ISSN: 1086-332X
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/tj.2001.0031
OpenAlexW2048332075
LanguageEN

David Wiles's provocative study of the spatial syntax of Greek tragedy offers a corrective to work that pays minimal attention to the architectural and topographical features of the ancient Greek theatre. According to Wiles, Greek performance space was not neutral or "empty" but resonant with spatial associations that were significant in fifth-century Athenian culture at large, as witnessed in the topography of the city itself. Wiles locates tragic performance in what might be called the panoptic frame of the Athenian audience, one that encompasses the city's built environment, both sacred and secular. He begins with the big picture (the ancient theatre sites), considers the plays' fictional spaces within this picture, and discusses the relationship between these and the "real" spaces of the city

Aesthetics · Ancient Greek · Art · Epistemology · Frame (networking · Greek tragedy · Linguistics · Literature · Meaning (existential · Tragedy (event · Classical Antiquity Studies · Computer Science · Historical and Architectural Studies · History · Philosophy

Citation velocityhistorical
Highly citedNo

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