These Spectacles Are Never Forgotten”
Memory and Reception in Colette's Film Criticism
Bibliographic Data
| ID | 11660266 |
|---|---|
| Authors | Paula Amad (corresponding author) |
| Year | 2005 |
| Volume | 20 |
| Issue | 2 |
| Pages | 119-163 |
| Publication date | 2005-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Camera Obscura Feminism Culture and Media Studies (JOURNAL) |
| Journal identifiers | ISSN: 0270-5346 • E-ISSN: 1529-1510 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/02705346-20-2_59-119 |
| OpenAlex | W2115990361 |
| Language | EN |
Paula Amad is assistant professor in the Department of Cinema and Comparative Literature at the University of Iowa. She is currently working on a book about early cinema, Archiving the Everyday (Columbia University Press, forthcoming)
Art · Art history · Criticism · Literature · Media studies · Movie theater · Performance art · Sociology · Visual arts · African history and culture studies · Cinema and Media Studies · French Historical and Cultural Studies
| Highly cited | No |
|---|