Lois Weber, Progressive Cinema, and the Fate of “The Work-a-Day Girl” in Shoes
Bibliographic Data
| ID | 11660301 |
|---|---|
| Authors | Shelley Stamp (corresponding author) |
| Year | 2004 |
| Volume | 19 |
| Issue | 2 |
| Pages | 141-169 |
| Publication date | 2004-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Camera Obscura Feminism Culture and Media Studies (JOURNAL) |
| Journal identifiers | ISSN: 0270-5346 • E-ISSN: 1529-1510 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/02705346-19-2_56-141 |
| OpenAlex | W2061710704 |
| Language | EN |
| References cited | 2 |
Shelley Stamp is the author of Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon (2000) and coeditor of two anthologies: American Cinema's Transitional Era: Audiences, Institutions, Practices, with Charlie Keil (2004); and Women and the Silent Screen: Cultural and Historical Practices, with Amelie Hastie (forthcoming). Her current book project, “Lois Weber in Early Hollywood,” is supported by a Film Scholars Grant from the Academy of Motion Picture Arts and Sciences
Art · Art history · Girl · Hollywood · Media studies · Motion picture · Movie theater · Performance art · Sociology · The arts · Visual arts · Cinema and Media Studies · Digital Games and Media · Gender, Feminism, and Media · Psychology
| Highly cited | No |
|---|