The Terror That Makes One Whatever One Is
Sterling Hayden's Emotional Testimonies
Bibliographic Data
| ID | 11660366 |
|---|---|
| Authors | Matt Tierney (corresponding author) |
| Year | 2015 |
| Volume | 30 |
| Issue | 2 |
| Pages | 157-187 |
| Publication date | 2015-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Camera Obscura Feminism Culture and Media Studies (JOURNAL) |
| Journal identifiers | ISSN: 0270-5346 • E-ISSN: 1529-1510 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/02705346-3078358 |
| OpenAlex | W1602958421 |
| Language | EN |
This article conducts a critical narrative of the public lives and performances of the actor Sterling Hayden as a contribution to the theory of emotion. Cultural theories of feeling have frequently suspended their attention to the diachronies of story and history in favor of a synchronic analysis of affect and ontology. This article argues that the analysis of a particular passion, coalescing in a series of moments in a single star text, offers a way to reconcile these divergent theoretical models
Aesthetics · Affect (linguistics · Art · Epistemology · Feeling · Literature · Narrative · Ontology · Passion · Psychoanalysis · Sociology · Communication · History of Emotions Research · Philosophy · Psychology · Rhetoric and Communication Studies · Social Psychology · Visual Culture and Art Theory
| Highly cited | No |
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