Picture This
Lillian Gilbreth's Industrial Cinema for the Home
Bibliographic Data
| ID | 11660459 |
|---|---|
| Authors | Nicholas Sammond (corresponding author) |
| Year | 2006 |
| Volume | 21 |
| Issue | 3 |
| Pages | 103-133 |
| Publication date | 2006-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Camera Obscura Feminism Culture and Media Studies (JOURNAL) |
| Journal identifiers | ISSN: 0270-5346 • E-ISSN: 1529-1510 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/02705346-2006-013 |
| OpenAlex | W1984563572 |
| Language | EN |
Nicholas Sammond is an assistant professor in cinema studies and English at the University of Toronto. His most recent book, Babes in Tomorrowland: Walt Disney and the Making of the Modern American Child, 1930-1960 (2005), received the Katherine Singer Kovacs Award from the Society for Cinema and Media Studies. He is also the editor of, and a contributor to, the anthology Steel Chair to the Head: The Pleasure and Pain of Professional Wrestling (2005). He is currently working on a study of blackface minstrelsy and the industrialization of early American animation
Animation · Art · Art history · Blackface · Hollywood · Media studies · Movie theater · Pleasure · Sociology · Visual arts · Cinema and Media Studies · Digital Games and Media · Media, Gender, and Advertising · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |