Women with Cameras
Bibliographic Data
| ID | 11660505 |
|---|---|
| Authors | Liz Linden (0000-0002-6155-1645, corresponding author) |
| Year | 2019 |
| Volume | 34 |
| Issue | 2 |
| Pages | 195-207 |
| Publication date | 2019-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Camera Obscura Feminism Culture and Media Studies (JOURNAL) |
| Journal identifiers | ISSN: 0270-5346 • E-ISSN: 1529-1510 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/02705346-7584964 |
| OpenAlex | W2906796128 |
| Language | EN |
| Citations received | 1 |
The essay looks at photographs from American photographer Anne Collier’s ongoing series Woman with a Camera (2006–). The essay argues that Collier’s series anticipates and “invents” the selfie by using anachronistic found materials. A number of Collier’s works in Woman with a Camera depict printed matter from the postmodern period that include photographs of female models posed as if they are shooting playful selfportraits in a mirror, acting as if they are themselves the photographer. Taking Collier’s work as evidence, this essay asks questions about how and why the selfie is so specifically positioned as an artifact of our contemporary moment in technology and culture, addressing some of the more widely held assumptions about selfies and selfie culture today
Anachronism · Art · Art history · Artifact (error · Literature · Performance art · Politics · Portrait · Postmodernism · Selfie · Visual arts · Cinema and Media Studies · Computer Science · Gender, Feminism, and Media · Law · Sexuality, Behavior, and Technology · Artificial Intelligence
| Citations per year | 0.25 |
|---|---|
| Citation span | 2022 - 2022 (1) |
| Highly cited | No |