The Art of Screen Passing
Anna May Wong's Yellow Yellowface Performance in the Art Deco Era
Bibliographic Data
| ID | 11660658 |
|---|---|
| Authors | Yiman Wang (0000-0001-8859-8737, corresponding author) |
| Year | 2005 |
| Volume | 20 |
| Issue | 3 |
| Pages | 159-191 |
| Publication date | 2005-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Camera Obscura Feminism Culture and Media Studies (JOURNAL) |
| Journal identifiers | ISSN: 0270-5346 • E-ISSN: 1529-1510 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/02705346-20-3_60-159 |
| OpenAlex | W1979893633 |
| Language | EN |
| Citations received | 10 |
Yiman Wang is currently an Andrew Mellon Postdoctoral Fellow and visiting assistant professor of East Asian studies and cultural studies at Haverford College. Her works have appeared in Chinese Films in Focus: Twenty-five New Takes (2003), the Quarterly Review of Film and Video, Intersections: Gender, History and Culture in the Asian Context, and Film Quarterly
Archaeology · Art · Art history · Context (archaeology · Focus (optics · Optics · Performance art · Visual arts · Cultural Industries and Urban Development · History
Star Studies
Race, Celebrity and Fashion
La fabrique cinématographique de l'altérité. Les personnages de « Chinoises » dans le cinéma occidental
Shape shifters
Cold War Asian/American Chic on TV
Speaking German Like Nobody’s Business”
Susie Bubble is a Sign of The Times”
Screening Asia
Anna May Wong and the Color Image
Micro-Exclusions, Raunch Aesthetics and In-Jokes
| Citations per year | 0.53 |
|---|---|
| Citation span | 2007 - 2021 (15) |
| Highly cited | No |