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Melodrama's Other

Entrapment and Escape in the Films of Tom Tykwer

Bibliographic Data

ID11660737
AuthorsHeidi Schlipphacke (corresponding author)
Year2006
Volume21
Issue2
Pages108-143
Publication date2006-01-01
Open AccessNo
TypeARTICLE
VenueCamera Obscura Feminism Culture and Media Studies (JOURNAL)
Journal identifiersISSN: 0270-5346 • E-ISSN: 1529-1510
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/02705346-2006-004
OpenAlexW1995181561
LanguageEN
Citations received3

Heidi Schlipphacke is an assistant professor of German and European studies at Old Dominion University. She has published essays on critical theory, as well as on issues of gender, aesthetics, and cultural translation in the European Enlightenment and in contemporary German and Austrian literature and film

Aesthetics · Art · Art history · Dominion · Enlightenment · German · Linguistics · Political science · Sociology · Theology · Arts, Culture, and Music Studies · German Literature and Culture Studies · Law · Philosophy · Theater, Performance, and Music History

  • Znaki upływającego czasu w filmie Wima Wendersa Niebo nad Berlinem (1987) oraz dziele Toma Tykwera Biegnij, Lola, biegnij (1998)

    Open Access•Ewa Wojno-Owczarska•Rocznik Komparatystyczny•2020

  • Undine geht and Lola rennt

    Eva Revesz•The Germanic Review Literature…•2008

  • Agentic Orientation as Magical Voluntarism

    Open Access•Joshua Gunn, Dana L Cloud•Communication Theory•2010

Citations per year0.17
Citation span2008 - 2020 (13)
Highly citedNo

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