In the shadow of gentrification
The case of art-led neighborhood change in Osaka’s developmental inner city
Bibliographic Data
| ID | 11669862 |
|---|---|
| Authors | Johannes Kiener (0000-0001-7203-8348, Saitama University, corresponding author) |
| Year | 2023 |
| Volume | 45 |
| Issue | 7 |
| Pages | 1195-1213 |
| Publication date | 2023-10-16 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Urban Geography (JOURNAL) |
| Journal identifiers | ISSN: 0272-3638 • E-ISSN: 1938-2847 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/02723638.2023.2268425 |
| OpenAlex | W4387667892 |
| Language | EN |
| Citations received | 4 |
| References cited | 33 |
This study investigates the "shadow of gentrification;" that is, it examines the applicability of the concept of gentrification beyond the typical context of the global city and attempts to advance its understanding in the Global East. This topic is approached by analyzing the role of rental housing in art-led neighborhood change in Osaka's inner city, an area shaped during Japan's developmental period. Three characteristics of housing that facilitates art-led neighborhood change – physical features, economic conditions, and tenure type – were identified, along which the renovation work conducted by artists in Osaka's inner city, was analyzed. The results show that the developmental inner city provides only poor conditions for gentrification driven by artists. To enable a better understanding of neighborhood change in the Global East, this study suggests overcoming the concept of gentrification by focusing on other forms of neighborhood change, and highlighting breaks instead of continuities in the local political economy.KEYWORDS: Artistsdevelopmental stategentrificationGlobal Eastinner city AcknowledgmentMy gratitude goes to all the people in Kitakagaya who shared their time and knowledge with me; to Nov Amenomori, who helped build contact with the local landlord, greatly easing entry into the field; and to Eunhwee Jeon, who conducted the interviews together with me, contributing countless ingenious questions. Finally, I would like to thank the three anonymous peer reviewers who provided extensive feedback and literature suggestions, which helped to significantly refine the arguments of this paper.Disclosure statementNo potential conflict of interest was reported by the author.Notes1 Burakumin are descents of outcast groups that were at the bottom of Japanese society during the Edo Period. These people were discriminated against because they had occupations considered impure or tainted, such as tanners or leather workers. Discrimination against them continued beyond the Edo Period and is still present in contemporary Japan.2 Only when landlords require a housing unit for themselves, a "rightful cause" exists, or a considerable compensation payment is made can the lease be terminated. Usually, these criteria are evaluated very strictly in court cases (Ito, Citation1994).3 1 USD was in 2015 approximately 120 yen.4 To protect the privacy of the artists interviewed in Kitakagaya, in this text all names are aliases.Additional informationFundingThis study was supported by the Japan Society for the Promotion of Science (grant number 20K13264)
Economic geography · Economic growth · Economics · Gentrification · Geography · Inner Cities · Inner city · Psychoanalysis · Shadow (psychology · Sociology · Cultural Industries and Urban Development · Psychology · Urban and spatial planning · Urban Planning and Governance
Loft living
Distinction
Locating Neoliberalism in East Asia
Nexus between creative industries and the built environment
Gentrification, artists and the cultural economy
Creatives in the city
Innovations in Gearing the Housing Market to Welfare Recipients in Osaka’s Inner City
Why gentrification theory fails in ‘much of the world’
Locating creative city policy in East Asia
Artists as property owners and small-scale developers
From red light district to art district
Urban regeneration through cultural creativity and social inclusion
The Artist as Developer and Advocate
Introduction
What attracts people to inner city areas? The cases of two post-socialist cities in Estonia and the Czech Republic
Global Cities and Developmental States
Speaking gentrification in the languages of the Global East
New uses need old buildings’
Production and consumption of gentrification aesthetics in Shanghai’s M50
State-led creative/cultural city making and its contestations in East Asia
The 21st-Century Metropolis
Artists, Aestheticisation and the Field of Gentrification
Spatiality, Built Form, and Creative Industry Development in the Inner City
Ain't Talkin' 'Bout Gentrification
For Gentrification
The Limits to Artist-Led Regeneration
Gentrification inHongKong? Epistemology vs. Ontology
The Comparative City
| Unique citing works | 4 |
|---|---|
| Citations per year | 4 |
| Citation span | 2025 - 2026 (2) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 3 |