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The Modernism of Shashi Deshpande

Bibliographic Data

ID11677522
AuthorsAlpana Sharma (0000-0001-7761-5511, Wright State University, corresponding author)
Year2012
Volume33
Issue1
Pages207-222
Publication date2012-07-01
Open AccessNo
TypeARTICLE
VenueSouth Asian Review (JOURNAL)
Journal identifiersISSN: 0275-9527 • E-ISSN: 2573-9476
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/02759527.2012.11932871
OpenAlexW2774533585
LanguageEN
References cited2

This essay studies the modernist feature of metafiction in Shashi Deshpande's novels to show how it allows Deshpande to discover an agency which, while conceived in personal and idiosyncratic terms as an isolated woman's bid for independence, has ramifications extending beyond the confines of the home and the book to an outright challenge of patriarchy. An exposition of the place that writing and art occupy in Deshpande's fiction is followed by an excursion into three aspects of the female creative process shared by her artist protagonists: its genesis in mourning, its expression in sexual being, and its feminist subversion of myth

Aesthetics · Agency (philosophy · Art · Exposition (narrative · Femininity · Independence (probability theory · Literature · Metafiction · Modernism (music · Mythology · Patriarchy · Postmodernism · Psychoanalysis · Sociology · Subversion · Undoing · Gender Studies · Law · Postcolonial and Cultural Literary Studies · Psychology · South Asian Cinema and Culture · South Asian Studies and Diaspora

Highly citedNo

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