Black Skin, White Music
Afroporteño Musicians and Composers in Europe in the Second Half of the Nineteenth Century
Bibliographic Data
| ID | 11679239 |
|---|---|
| Authors | Cirio Cirio (corresponding author) |
| Year | 2015 |
| Volume | 35 |
| Issue | 1 |
| Pages | 23-23 |
| Publication date | 2015-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Black Music Research Journal (JOURNAL) |
| Journal identifiers | ISSN: 0276-3605 • E-ISSN: 1946-1615 |
| Publisher | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.5406/blacmusiresej.35.1.0023 |
| OpenAlex | W2102350154 |
| Language | EN |
| Citations received | 2 |
| References cited | 3 |
Norberto Pablo Cirio, Black Skin, White Music: Afroporteño Musicians and Composers in Europe in the Second Half of the Nineteenth Century, Black Music Research Journal, Vol. 35, No. 1 (Spring 2015), pp. 23-40
Aesthetics · Appropriation · Art · Art history · Context (archaeology · Epistemology · Hegemony · Modernity · Political science · Politics · Power (physics · Sociology · Vanguard · White (mutation · Afro-Latin American Studies · Argentine historical studies · Cuban History and Society · History · Law · Philosophy
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2022 - 2024 (3) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |