Cultural Dialogics and Jazz
A White Historian Signifies
Bibliographic Data
| ID | 11679332 |
|---|---|
| Authors | Gary Tomlinson (corresponding author) |
| Year | 1991 |
| Volume | 11 |
| Issue | 2 |
| Pages | 229-229 |
| Publication date | 1991-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Black Music Research Journal (JOURNAL) |
| Journal identifiers | ISSN: 0276-3605 • E-ISSN: 1946-1615 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/779268 |
| OpenAlex | W4255819462 |
| Language | EN |
| Citations received | 12 |
Aesthetics · Art · Art history · Dance · Jazz · Jazz dance · Visual arts · White (mutation · Music History and Culture · Musicology and Musical Analysis · Poetry Analysis and Criticism
From Gospel to Gates
Representing Jazz
Critical Alchemy
Listening to Electric Miles
Against Populism
Comparer l’incomparable
Different Resistances
From Gospel to Gates
AfroModernist Subversion of Film Noir Conventions in John Lewis' Scores to Sait-on Jamais (1957) and Odds Against Tomorrow (1959)
Mujeres en el jazz en Chile. Modelización, régimen simbólico y trayectorias de género
Jazz populism’ in London and the counter-hegemonic mainstream
Walking Like a Crab
| Citations per year | 0.39 |
|---|---|
| Citation span | 1995 - 2025 (31) |
| Highly cited | No |