Selling sounds
The commercial revolution in American music
Bibliographic Data
| ID | 11703249 |
|---|---|
| Authors | Jiemin Tina Wei (Harvard University, corresponding author) |
| Year | 2019 |
| Volume | 42 |
| Issue | 2 |
| Pages | 258-260 |
| Publication date | 2019-03-11 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Popular Music & Society (JOURNAL) |
| Journal identifiers | ISSN: 0300-7766 • E-ISSN: 1740-1712 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/03007766.2019.1586310 |
| OpenAlex | W2922158468 |
| Language | EN |
| Citations received | 1 |
| References cited | 1 |
As with other fields, music studies benefits from developing its own self-critical tradition, as scholars begin dialogues about how we – as consumers and scholars – receive music. These analyses he
Aesthetics · Art · Literature · Media studies · Music education · Music history · Popular music · Sociology · Visual arts · Diverse Musicological Studies · Music History and Culture · Musicology and Musical Analysis
| Citations per year | 0.2 |
|---|---|
| Citation span | 2021 - 2021 (1) |
| Highly cited | No |