Music marketing
Tropes of hybrids, crossovers, and cultural dialogue through music
Bibliographic Data
| ID | 11704284 |
|---|---|
| Authors | Irene J Nexica (corresponding author) |
| Year | 1997 |
| Volume | 21 |
| Issue | 3 |
| Pages | 61-82 |
| Publication date | 1997-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Popular Music & Society (JOURNAL) |
| Journal identifiers | ISSN: 0300-7766 • E-ISSN: 1740-1712 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/03007769708591679 |
| OpenAlex | W2324565066 |
| Language | EN |
| Citations received | 1 |
| References cited | 11 |
(1997). Music marketing: Tropes of hybrids, crossovers, and cultural dialogue through music. Popular Music and Society: Vol. 21, Cartographies of Sound, Noise, and Music at Century' End, pp. 61-82
Aesthetics · Art · Literature · Music education · Music history · Popular music · Sociology · Visual arts · Diverse Musicological Studies · Music · Music History and Culture · Theater, Performance, and Music History
| Citations per year | 0.07 |
|---|---|
| Citation span | 2011 - 2011 (1) |
| Highly cited | No |