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The Maghreb's New Publishing House

Les éditions barzakh and the Stakes of Localized Publishing

Bibliographic Data

ID11753232
AuthorsMary Anne Lewis (Russian State Agrarian Correspondence University, corresponding author)
Year2016
Volume20
Issue1
Pages85-93
Publication date2016-01-01
Open AccessNo
TypeARTICLE
VenueContemporary French and Francophone Studies (JOURNAL)
Journal identifiersISSN: 1740-9292 • E-ISSN: 1740-9306
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/17409292.2016.1120555
OpenAlexW2294828471
LanguageEN
Citations received2
References cited3

In the introduction to his 1968 book Le Roman maghrébin, Abdelkabir Khatibi writes, “l’écrivain maghrébin est désormais confronté avec les problèmes de sa société” (10). He continues, “Tous ces textes, différents par le ton, comportent une caractéristique commune: ces écrivains étaient convaincus de leur mission et de leur message. Ils entendaient exprimer le drame d'une société en crise” (11). Throughout the book, Khatibi insists on, and theorizes, the relationships among the Maghrebian novel, novelist, and society. In the wake of independence, many novelists in the Maghreb were writing as a form of nation-building. Certainly, Khatibi was quite aware of the importance of the conditions under which the Maghrebian novelist was working at the time; so, too, was he considering the problems to which the Maghrebian novel was responding. Almost fifty years later, however, scholars are reconsidering the question of the Maghrebian novel, asking such questions as: What is the roman maghrébin doing? Is it different from any other kind of novel? If so, how?In this article, I examine the stakes of localized publication of contemporary Maghrebian literature, a phenomenon that speaks to nascent aesthetic and cultural de-centering in a very real way. In this article, I specifically consider les éditions barzakh in Algiers in order to understand the role that localized publishing plays in the region, with the potential to nuance our reading of the roman maghrébin itself. This paper on the symbolic, material, and linguistic complexities of the "indigenous" publishing house in the Maghreb tells, and theorizes, the story of the roman maghrébin in a novel way

Art · Art history · Humanities · Independence (probability theory · Indigenous · Literature · Order (exchange · Political science · Publishing · Reading (process · Sociology · African history and culture studies · Classics · History · Law · North African History and Literature · Political and Social Issues

  • Conseils bienveillants

    Cornelia Ruhe•Expressions maghrébines•2018

  • Rethinking the Algerian publishing “boom

    Karima Bentoumi•Journal of the African Literature…•2020

  • The Arab Spring

    Hamid Dabashi•The Arab Spring•2012

  • Globalization and cultural diversity in the book market

    Open Access•G Sapiro•Poetics•2010

Citations per year0.25
Citation span2018 - 2020 (3)
Highly citedNo

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