Theatre Works' Desdemona
Fusing Technology and Tradition
Bibliographic Data
| ID | 11795669 |
|---|---|
| Authors | Helena Grehan (0000-0002-9257-5615, Teaches theatre and creative arts at Murdoch University in Perth, Western Australia., corresponding author) |
| Year | 2001 |
| Volume | 45 |
| Issue | 3 |
| Pages | 113-125 |
| Publication date | 2001-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/10542040152587141 |
| OpenAlex | W2085113744 |
| Language | EN |
| Citations received | 4 |
| References cited | 3 |
“Interculturalism” needs to be expanded and redefined to include the responses of spectators as well as the work of artists. In what ways does Theatre Works' Desdemona, as seen at the 2000 Adelaide Festival, represent a “new wave of Asian production”? Or are such works disturbing evidence of the increasing erosion of the local
Aesthetics · Art · Interculturalism · Multiculturalism · Sociology · Visual arts · Asian Culture and Media Studies · History · Philippine History and Culture · Theatre and Performance Studies
| Unique citing works | 4 |
|---|---|
| Citations per year | 0.18 |
| Citation span | 2004 - 2008 (5) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |