Literary Theatre after the Generals
A Personal Itinerary
Bibliographic Data
| ID | 11797087 |
|---|---|
| Authors | Femi Osofisan (corresponding author) |
| Year | 2008 |
| Volume | 33 |
| Issue | 1 |
| Pages | 4-19 |
| Publication date | 2008-01-04 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Theatre Research International (JOURNAL) |
| Journal identifiers | ISSN: 0307-8833 • E-ISSN: 1474-0672 |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/s0307883307003367 |
| OpenAlex | W2093093163 |
| Language | EN |
Let me explain right from the outset that I have chosen the term ‘after the generals’ only as a convenient shorthand. In fact what I mean is something like ‘after the notorious dictatorships of the later half of the last century in Africa south of the Sahara’. Some of these, as you know, were military regimes, like those of Eyadema, Bokassa, Mobutu or Abacha (graphically satirized in Soyinka's A Play of Giants ), but quite a number were also civilian governments, such as Arap Moi's Kenya or Boigny's Ivory Coast, always depending, of course, on how you choose to classify them
Ancient history · Art · Dictatorship · Literature · Political science · Politics · African history and culture studies · History · Law
| Citation velocity | historical |
|---|---|
| Highly cited | No |