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Pornography and Debasement of Womanhood in African Films

The Examples of Selected Nollywood and Ghallywood Videos

Datos Bibliográficos

ID11799416
AutoresCharles A Ogazie (Obafemi Awolowo University, autor de correspondencia), Ibitayo O Odetade (Obafemi Awolowo University)
Año1970
Volumen6
Número1-2
Fecha de publicación1970-01-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaEJOTMAS Ekpoma Journal of Theatre and Media Arts (JOURNAL)
Identificadores de la revistaISSN: 2006-1838 • E-ISSN: 2449-1179
EditorialAfrican Journals OnLine (PUBLISHER)
DOI10.4314/ejotmas.v6i1-2.18
OpenAlexW2774115355
IdiomaEN
Citas recibidas2
Referencias citadas2

No doubt, film has become a potent agent for social change in societies through its continued transition of historical, sociopolitical, religious and educational lessons channeled through its audio visual properties. In African societies for instance, film has captured the realities of existence thereby making its audience conscious of themselves and proffering a leeway out of so many misconstrued philosophies of life. But due to the unsatisfying and the rising audience's taste or superfluous directorial interpretations, African film makers principally those of Nollywood and Ghallywood have continued to trample on some hallowed African cultural heritage thereby promoting “anti-African” norms and behaviours such as pornography, indecent dressing, vulgarity and uncultured sexual behaviours that are found in some Western films. Using the tenets of media content analysis of selected Nollywood/Ghallywood films, this paper believes that African films particularly those of Nollywood and Ghallywood should not be a means of promoting violence, “gangsterism”, promiscuity, and sexual immorality. Instead, it should be seen asa viable tool for satirizing evil and promoting good in the society. The paper concludes that African filmmakers should strictly respect African culture and use film as a weapon for social change while entertaining their audience. It advocates also that film should not be used as a tool to showcase shame by debasing female gender in the name of meeting the demands of realism, making quick money or gaining cheap popularity by portraying African women as “professional sex objects” in an attempt to please their audience.Keywords: Pornography, Sex object, Debasement, African film, Womanhood, Sexual behaviours

Aesthetics · Art · Immorality · Media studies · Morality · Political science · Popularity · Pornography · Shame · Sociology · Taste · African history and culture studies · African Sexualities and LGBTQ+ Issues · Cinema and Media Studies · Gender Studies · Law · Psychology

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Obras citantes distintas2
Citas por año0,33
Intervalo de citas2020 - 2021 (2)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 2
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