Nandipha Mntambo – defying labels
Bibliographic Data
| ID | 11817448 |
|---|---|
| Authors | Susan Ecclestone (University of East Anglia, corresponding author) |
| Year | 2012 |
| Volume | 2 |
| Issue | 1 |
| Pages | 67-77 |
| Publication date | 2012-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | World Art (JOURNAL) |
| Journal identifiers | ISSN: 2150-0894 • E-ISSN: 2150-0908 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/21500894.2012.662170 |
| OpenAlex | W2093562220 |
| Language | EN |
| Citations received | 1 |
In this interview, artist Nandipha Mntambo talks about how she manipulates cowhides into sculptural installations by firstly moulding them to her body. She explains how her depiction and representation of self, comes out of a struggle with boundaries and labels. We also explore the appropriation of her as an artist into the canon of Contemporary African Art
Aesthetics · Appropriation · Art · Depiction · Humanities · Linguistics · Political science · Representation (politics · Self representation · Visual arts · African history and culture studies · Cultural Industries and Urban Development · Law · Philosophy
| Citations per year | 0.07 |
|---|---|
| Citation span | 2012 - 2012 (1) |
| Highly cited | No |