Illustrating Narrative Seduction
The Example of C hoderlos de L aclos's L es L iaisons Dangereuses in the Illustrated Edition of 1796
Bibliographic Data
| ID | 11826450 |
|---|---|
| Authors | Marine Ganofsky (0000-0003-2417-6118, corresponding author) |
| Year | 2014 |
| Volume | 38 |
| Issue | 1 |
| Pages | 1-27 |
| Publication date | 2014-04-29 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal for Eighteenth-Century Studies (JOURNAL) |
| Journal identifiers | ISSN: 1754-0194 • E-ISSN: 1754-0208 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/1754-0208.12130 |
| OpenAlex | W1781227471 |
| Language | EN |
The engravings of the 1796 edition of L es L iaisons dangereuses bear witness to the late eighteenth‐century belief in a parallel between amorous and narrative seductions. More than mere interpretations of an intrigue, book engravings also offer a valuable insight into contemporaneous conceptualisations of novel‐reading. The series studied here can be interpreted as illustrating the early modern theory that what unites reader and author is indeed a dangerous liaison. By presenting a dialogue between these engravings and eighteenth‐century reception theories, I argue that book illustrations can help us understand how narrative seduction was believed to operate during the F rench E nlightenment
Art · Linguistics · Literature · Narrative · Reading (process · Witness · Historical and Literary Analyses · Historical and Literary Studies · Historical Art and Culture Studies · History · Philosophy
| Highly cited | No |
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