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Prizing Francophonie into Existence

The Usurpation of World Literature by the Prix des Cinq Continents

Bibliographic Data

ID11829324
AuthorsMadeline Bedecarré (Bates College, corresponding author)
Year2020
Volume5
Issue2
Pages298-319
Publication date2020-05-29
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of World Literature (JOURNAL)
Journal identifiersISSN: 2405-6472 • E-ISSN: 2405-6480
PublisherBrill (PUBLISHER • NL)
DOI10.1163/24056480-00502010
OpenAlexW3030685619
LanguageEN
Citations received3
References cited4

This paper explores the relationship between literary prizes and the framing of contemporary francophone literature as world literature. Using a literary and sociological lens, I analyze how the Prix des Cinq Continents marketed itself as a kind of French-speaking Nobel, promoting the idea of a world literature in French. This article examines the prize’s different criteria for selection through close readings of promotional materials as well as interviews conducted between 2012 and 2016 with members of the jury, prize administrators, prize-winners, and representatives from the Senegalese reading committee. My research shows how the prize administrators’ rhetoric of diversity, hides the inequalities and exclusionary practices that “francophone” writers must face. This article argues that the idea of world literature has been recuperated by the OIF to protect the category of “francophone” and consolidate the domination of French cultural power in its former colonies

Art · Face (sociological concept · Framing (construction · French · Humanities · Linguistics · Media studies · Political science · Power (physics · Rhetoric · Social science · Sociology · African history and culture studies · Comparative and World Literature · History · Philippine History and Culture · Philosophy

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Unique citing works3
Citations per year0.5
Citation span2020 - 2023 (4)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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