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Le nu féminin dans la peinture de vases à figures rouges de la fin du VIe siècle à la fin du du Ve siècle avant J.C

Bibliographic Data

ID11837217
AuthorsValérie Giess-Bevilacqua (corresponding author)
Year2000
Volume25
Issue1
Pages101-114
Publication date2000-01-01
Open AccessNo
TypeARTICLE
VenueKtèma civilisations de l Orient de la Grèce et de Rome antiques (JOURNAL)
Journal identifiersISSN: 0221-5896 • E-ISSN: 2802-1401
PublisherPERSEE Program (PUBLISHER)
DOI10.3406/ktema.2000.2249
OpenAlexW2302168340
LanguageFR
Citations received1

Most of the publications about the woman in Greek antiquity treat of the problem from a sociological and historical point of view. So the drawing of female nakedness is little studied. This article, based upon twenty-two vases, permits two observations : on the one hand, we note that the graphical representation of woman’s nudity is exceptional and related to a sympotic world with hetairai ; on the other hand, we see that the drawing’s quality doesn’t depend upon a chronological evolution. Some pioneers at the end of the VIth century or some painters betwen 505 and 480 B. C., when the woman’s nakedness appears most often on vases, overcome its graphical representation, whereas their companions or more recent artists are very clumsy

Art · Art history · Fin de siecle · Humanities · Painting · Representation (politics · Ancient Mediterranean Archaeology and History · Classical Antiquity Studies · Historical and Literary Studies

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Citations per year0.2
Citation span2021 - 2021 (1)
Highly citedNo

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