Staging sexuality in an all-male adaptation of Romeo and Juliet
Bibliographic Data
| ID | 11845069 |
|---|---|
| Authors | Yilin Chen (0000-0002-5668-7652, Providence University, corresponding author) |
| Year | 2014 |
| Volume | 34 |
| Issue | 1 |
| Pages | 27-37 |
| Publication date | 2014-01-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Studies in Theatre and Performance (JOURNAL) |
| Journal identifiers | ISSN: 1468-2761 • E-ISSN: 2040-0616 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/14682761.2013.875386 |
| OpenAlex | W1991813518 |
| Language | EN |
| References cited | 8 |
This article considers Lu Po-shen’s adaptation and production of Romeo and Juliet in the context of Taiwanese traditions of cross-dressing performances. It asks how far conventional attitudes to sexuality were troubled by the staging decisions and acting styles
Adaptation (eye · Aesthetics · Archaeology · Art · Art history · Context (archaeology · Human sexuality · Performance art · Sociology · Gender Studies · History · Philippine History and Culture · Psychology · Shakespeare, Adaptation, and Literary Criticism
| Highly cited | No |
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