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The Premier Festival Mondial des Arts Nègres

Bibliographic Data

ID11865846
AuthorsAedín Ní Loingsigh (0000-0002-8717-9298, corresponding author)
Year2015
Volume15
Issue1
Pages77-95
Publication date2015-12-01
Open AccessNo
TypeARTICLE
VenueIrish Journal of French Studies (JOURNAL)
Journal identifiersISSN: 1649-1335 • E-ISSN: 2009-941X
PublisherOpenEdition (PUBLISHER)
DOI10.7173/164913315817039234
OpenAlexW2521654160
LanguageEN
Citations received2

This article builds on existing analysis of the 1966 Dakar-based international Premier Festival des arts nègres (FESMAN). It takes as its starting point the assumption that the festival's organizers failed to demonstrate a practical, economic role for culture in their re-imagining of transnational black culture. The article demonstrates that, while philosophical questions of cultural identity were central to the festival, this unprecedented event was also understood as an opportunity for 'selling' culture. Three texts are shown to highlight the festival's hoped-for economic benefits: a piece on Senegal as tourist site published in FESMAN's official programme, press coverage of the period leading up to the festival's opening in Senegal's weekly francophone newspaper, L'Unité africaine , and, finally, André Malraux's account of visiting FESMAN as French Minister for Culture. Underpinning readings of each of these texts is an emphasis on the significance of touristic activity at the festival and its role in articulating and consolidating a particular view of 'modern' transnational black identity

Aesthetics · Art · Humanities · Identity (music · Media studies · Music festival · Newspaper · Political science · Sociology · The arts · Tourism · Underpinning · Visual arts · African history and culture studies · Cultural Identity and Heritage · Engineering · History · Law · North African History and Literature

  • On ne peut nier longtemps l'art nègre

    Éloi Ficquet, Lorraine Gallimardet•Gradhiva•2009

  • Le rôle des archives dans la compréhension de l’éviction d’Alioune Diop du Deuxième Festival Mondial des Arts Négro-Africains (Festac 77) et ses conséquences

    Open Access•Etienne Lock•History in Africa•2023

Citations per year0.12
Citation span2009 - 2023 (15)
Highly citedNo

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